Simply Sustainablility? Part I

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Posted on 24th August 2009 by masterfiddle in Arts and Economics

In the current economic climate, the arts are newly challenged to maintain legitimacy and financial support. This takes a toll on the internal culture and artistic output of arts organizations. Regardless of the benefits in creating long-term plans and assessing core values, etc., many arts organizations cannot look past their upcoming seasons to ensure viability.

The Americans for the Arts convention in Seattle this June focused on sustainability and renewable resources for the arts. The keynote speech, Renewable Resources: Arts in Sustainable Communities by Peter Senge, got me thinking about how the arts can remain sustainable and true to their core purpose through financial struggles.

Attempting a new angle on this widely acknowledged problem was difficult, however. Instead of providing unique insight, I will instead provide links to emerging resources for arts managers that aim to quench the demise of nonprofits both large and small. Here is what I’ve found:

The Kennedy Center’s Michael Kaiser Arts in Crisis tour: http://www.artsincrisis.org/press.cfm. Recent stop in Madison, WI. Next to Grand Rapids, MI and Los Angeles, CA.

Americans for the Arts policy and advocacy funding resources: http://www.artsusa.org/get_involved/advocacy/funding_resources/default.asp

The League of American Orchestras On The Road to Authentic Civic Engagement: http://www.americanorchestras.org/learning_and_leadership/civic_engagement.html

And finally,

The NEA’s Economic Recovery and Reinvestment Act: http://www.nea.gov/recovery/index.html

I am interested in feedback regarding how arts organizations can utilize financial resources and internal personnel as mechanisms to retain economic viability. Hoping for ongoing dialogue while researching organizational culture of the performing arts for Simply Sustainability, Part II.

Photo Updates Complete

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Posted on 17th August 2009 by masterfiddle in Arts Conference, July 2009

As a final hurrah and culmination of my Italy trip, I have finished posting photos under the links below:
Art
Architecture
Culture


I still have more to add, but that is the bulk of photos for the time being.

Arts Conference 2009: Art, Architecture & Culture

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Posted on 13th August 2009 by masterfiddle in Arts Conference, July 2009

The International Conference on the Arts and Society provided many ideas and research in arts education and practice. I will use this space as a central location and hub for my main take-aways from the experience. On the lookout for all types of artforms while I was in Venice, I have distilled my thoughts into three categories:

Art
Architecture
Culture

Additionally, I saved some comments from when I was in Italy which illustrate the surroundings and proceedings of the conference.

7/28/09:

Feeling more like a local, I embarked on my first day after breakfast and Venetian coffee. My lodging, The B&B Rosa, is in a residential area of Venice and few kilometers from Campo San Stephano. This is adjacent to the Palazzo Cavalli Franchetti – the conference venue.

Palazzo Cavalli Franchetti dates to 1565, and is next to the Pont dell’ Academia. The building was restored in the 19th century. It shows its age in many ways including the creaking floors that seem to sag under pressure! Also, it is necessary to go through rooms to get to stairways or other rooms, which means crossing through other conference session occasionally.

7/29/09:

Today I presented my conference paper: Symphony Audience Development: Analysis of Organizational Culture in the Performing Arts. As my first professional conference, I felt that the presentation went well despite the aforementioned creaky floors. (Note to self: bring remote clicker to advance power point presentation slides next time!)

Other presentation highlights today included:
- Electric Cowboy Cacophony: A Project for Cross-Genre Free Improvisation by Dr. Michael Edwards of the University of Edinburgh
- Using Arts-Informed Inquiry as a Research Approach by Dr. Denise Stanley from the University of Sydney
- Judy Chicago’s Plenary Session in which she presented a history of her work and her inspiration

7/31/2009:

As the conference concludes, I reflect on the many sessions which inspire further thought in many areas of the arts. Topics of interest to me:
- Media Arts & Science and Technology: Challenging Responsive Education. Dr. Daniela Reimann, Nina Czegledy, Patricia Olynyk
- Magicians of the Post-Spiritual Age: Contemporary Art, primitivism and post-colonialism. Colin Rhodes
- Ephemeral Knitting. Jane Scott, Elizabeth Gaston
- Impact and Engagement: The Contemporary Art Festival and Its Audience. Angela Brayham
- Operas by Women in Australia. Dr. Helen Rusak

9/1/2009:

On the bus heading back to Marco Polo airport, I had the pleasure to meet Dr. Midori McKeon from San Francisco State University. I missed her presentation, The Japanese tea Ceremony: A Living International Museum of Art in Everyday Life but I relish this connection near my hometown in the S.F. Bay Area.

This last encounter – in a place I least expected it – illustrated the true virtue of serendipity. I had not originally known what to expect from this conference, but received an incredible experience and increased body of knowledge because of it.

Venice Reflections

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Posted on 9th August 2009 by masterfiddle in Arts Conference, July 2009

Having a week back in the United States since attending the International Conference on the Arts in Society, I have had time to reflect on my main take-away from the experience. After attending the conference, I now view the role of the arts in society with a broader perspective. The goal of the conference was to provide a venue for:

“critical discussion on issues in the arts, and specifically as they are situated in the present-day context of globalisation, cultural homogenisation, commodifcation, and militarisation”.

In the previous post, I discussed my brief take on globalization in the arts – which I realize now affects not only arts audience perceptions, but internal organizaitonal operations as well. My research on the organizational culture of symphony orchestras dovetails with a global focus on the role of nonprofit arts organizaitons.

Arts in Society.com provides posts noting various ways that the arts can be incorporated into daily urban life. Additionally, Common Ground Publishing has a YouTube site with paper presentations. This ties into both the globalization of the arts and the adoption of internet media to broadcast knowledge and ideas.

This is the launching point of more in-depth blog discussions focusing on plenary speakers and parallel session presenters at the conference. Check back for updates and photos!

Palazzo Cavalli Franchetti, conference venue and the Istituto Veneto di Scienze, Lettere e Arti

Travelocity – what globalization means for the arts

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Posted on 3rd August 2009 by masterfiddle in Arts Conference, July 2009

I have returned to Oregon from my European expedition and research presentation at the International Conference on the Arts in Society in Venice. The trip was wonderful and rewarding in many ways as I:
1) Tromped around Venice and turned any street corner I wished depending on my whim.

2) Engaged in stimulating dialogue regarding the arts in society with conference attendees.

3) Met academics and arts practitioners from around the world!

There were many excellent sessions presented at the conference, and a few particularly sparked my thinking about the world and art. Colin Rhodes spoke about international art engagement framed by the Venice bienalle. Rhodes focused on the changing scope of art exhibits and increased access to the arts due to the “democratization of travel”. Interesting to think about, then I discovered this article from November 2006 noting the evolution of thinking in the arts.

Globalization and technology are forcing artists, curators and museum directors to rethink the world of American art. Curators and museum directors must now try to satisfy a more fragmented and complex art audience that has a vast array of media and entertainment choices at its fingertips and may not come from a traditional art-lovers background.

Many articles point to the increase in the use of technology as a result and instant communication streams. My recent post, Marketing Mayhem accounts my recent challenges in marketing arts organizations through media technology. Furthermore, I’ve noticed since then the true impact of Internet marketing through of social networking. (This blog, linked to facebook, linked to LinkedIn, connected to twitter).

I’ll argue that this is true in the performing arts as well as visual arts. For instance, the National Symphony recently began a campaign to tweet program notes in real time. Check out this article for details.

Returning to globalization, it is imperative for arts administrators to consider how the shrinking world affects arts audiences and organizational goals. As this article, Globalized Art, points out: “In a globalized world, art is becoming like any other commodity or product exported and imported worldwide”. Curating the Venice Biennale necessitated a focus on the place and location of the city as well as the visitors who come from around the globe to experience its culture.

The biggest challenge for arts organizations is to not reject how globalization affects the arts, but to adjust to the current climate in the art world. Some call this forward-thinking.

From: Biennale initiatives in the restored facility at Ca’ Giustinian